Material expression in a cultural pavilion for private use is not about what the building says about its architect. It is about what the building does for the person standing in front of a work they own, experiencing it in a space designed specifically for that encounter. In MÉTO
La sombra antes que la luz. This phrase describes the primary design logic of natural light control in gallery architecture: begin with what the building must block, then design how the desired light enters. A gallery pavilion designed in the reverse direction — starting with bea
The design process for a gallery pavilion differs from a residential project in one fundamental respect: the collection sets the environmental performance requirements, and those requirements drive material and structural decisions before any spatial preference is expressed. In M
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MÉTODO diseña residencias de autor, pabellones culturales e interiores en piedra, madera y concreto, entre Ciudad de México y Denver. Cuatro proyectos al año, por elección.